by Samara Hayley Steele Last Tuesday in downtown Berkeley, I was unlocking my bicycle in front of the game store on Shattuck at Allston, when I noticed a woman across the street. She seemed jolly and friendly. She was standing near an empty police[…]
Proving that culture is in everything humans touch, there’s this genre based on bland corporate music from the eighties like mall muzak, advertising jingles and computer sounds. Vaporwave is also an art movement. It’s remix culture centered on the bold geometric shapes, glitch art and clip art of the 1980s. It’s neon, especially pink, purple and aqua. But it is these things deconstructed; the music is slowed down, distorted, so the refrains from an earlier, more innocent time have a haunting effect.
It is early autumn and helicopters are circling the UC Berkeley campus as I write this. I can see them from my window. The tut-tut-tut of their propellers punctuate my thoughts.
A few days ago, I rode my bike up to the university to use the library, and had to navigate through a swarm of media and security workers. An Alt Right speech was scheduled on campus that evening, but it was still several hours away. There were no protestors yet, but cable news teams were already milling all over the place, setting up their equipment, preparing their spins.
Moral panic is a sociological phenomena in which individuals or groups are persecuted within a larger social group. These panics are precipitated by the presence of several key ingredients: social order, fear of that social order being threatened, and the existence of taboos—unnameable things which members of the group cannot address without experiencing fear.